Chelsea Green has been making waves since her return to WWE in early January, taking on a new persona that she calls her “Karen” gimmick. In the world of professional wrestling, where larger-than-life personalities are the norm, Green’s portrayal has been turning heads. Now, she has gone on to become a WWE Women’s Tag Team Champion, proving that her unique approach is resonating with fans and critics alike.
Most recently, Green competed on the latest edition of RAW, facing off against Raquel Rodriguez. Unfortunately for Green, this match ended in defeat. However, despite the setback, Green’s spirit remains unbroken.
In the world of professional wrestling, it’s not just about winning or losing matches. It’s about telling a story, creating a character that the audience can connect with. And overacting, when done right, can be an essential tool in a wrestler’s repertoire.
In a recent post on Twitter, Green took the time to praise Maria Kanellis-Bennett, a fellow professional wrestler who has also worked for WWE. Green hailed Kanellis-Bennett as the GOAT (Greatest of All Time) of believable overacting. For those unfamiliar with the term, “overacting” in the context of professional wrestling refers to the exaggerated, theatrical performance style that wrestlers use to sell their characters and storylines to the audience.
Maria Kanellis-Bennett is no stranger to this style. Throughout her career, she has consistently delivered performances that are both larger than life and utterly believable. Her ability to balance these two seemingly contradictory aspects of her persona is a testament to her skill and talent as a performer.
Green’s praise of Kanellis-Bennett is significant, not only because it acknowledges the latter’s talent, but also because it shines a light on the often overlooked aspect of professional wrestling – the performance. Yes, physical prowess and technical skill are important, but without a compelling character and storyline, even the most exciting matches can fall flat.
The art of overacting, as demonstrated by performers like Maria Kanellis-Bennett, brings a level of drama and excitement to the ring that few other things can match. It draws the audience in, keeps them engaged, and makes them care about the outcome of the match. In a way, it’s a form of storytelling that’s as old as theater itself.
In conclusion, Chelsea Green’s recognition of Maria Kanellis-Bennett’s talent serves as a reminder of the importance of performance in professional wrestling. It’s a nod to the craft and dedication that goes into creating a compelling character and engaging the audience. And it’s a testament to the power of overacting, when done right. 🐐
